zeitkratzer and its special guests SVETLANA SPAJIĆ (voice), DRAGANA TOMIĆ (voice) and OBRAD MILIĆ (voice, diple, gusle) present traditional Serbian songs from and about World War I.
Within its 20 years of existence, REINHOLD FRIEDL’s ensemble zeitkratzer has proved its interpretatory mastership on a wide range of fields such as contemporary / avant-garde composers, electronic artists, industrial underground – and, probably most surprising on this list, also in traditional music / folklore as documented on the two albums “Volksmusik” and “Neue Volksmusik” . For “Serbian War Songs”, a selection of traditional songs from and about World War I, the “modern composition supergroup” (THE WIRE) have invited some special guests: the renowned singers SVETLANA SPAJIĆ and DRAGANA TOMIĆ (who both worked a.o. with ROBERT WILSON) and the diple / gusle player OBRAD MILIĆ. REINHOLD FRIEDL and SVETLANA SPAJIĆ (probably the most acknowledged expert for traditional songs in Serbia) selected some traditional Serbian songs from and about World War I, and OBRAD MILIĆ contributes "Assassination In Sarajevo", a song in the classic epic form he had learnt from his father Bogdan, a famous gusla player at the beginning of the 20th century. Commissioned by Berlin’s Haus Der Kulturen Der Welt, the performance was recorded and mixed by longtime zeitkratzer sound engineer MARTIN WURMNEST and mastered by MIKE GRINSER at D&M.
zeitkratzer
directed by Reinhold Friedl
Frank Gratkowski, bassclarinet, clarinet I Hild Sofie Tafjord, french horn I Hilary Jeffery, trombone I Reinhold Friedl, piano I Maurice de Martin, drums, percussion I Lisa Marie Landgraf, violin I Burkhard Schlothauer, violin I Nora Krahl, violoncello I Ulrich Phillipp, doublebass
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special guests:
Svetlana Spajić, voice
Dragana Tomić, voice
Obrad Milić, voice, diple, gusle
recorded and mixed by Martin Wurmnest at Haus der Kulturen der Welt, Berlin, January 16, 2016
produced by Reinhold Friedl
mastered by Mike Grinser at D&M, Berlin
supported by 8 fans who also own “Serbian War Songs”
I love this series because it is so interesting and the first 3 stages are nice to listen to for studying. The music is sad and happy, distorted in parts but real throughout. keenan_bruce
supported by 5 fans who also own “Serbian War Songs”
Intriguing, enchanting and terrifying all at once. To me it's the perfect soundtrack I'd envision for waking up in a strange nation and not knowing the name of the place, or any contextual understanding about the culture, or even remembering how you got there in the first place. It has the capacity to be a negative or positive experience in equal measure, a testament to the two talented women behind this record. Ben Harris
This album from Montreal-based experimental artist Frédérique Roy toes the line between structure and improvisation. Bandcamp New & Notable Mar 24, 2023
Julien Thomas makes heady dark ambient that feels like shadows moving and shifting throughout the day; this release benefits Oxfam. Bandcamp New & Notable Mar 21, 2023
supported by 5 fans who also own “Serbian War Songs”
unlike any sax/ string collaboration ive ever heard. leigh and brötzmann never try to overpower one another, instead, collaborating as one and respecting one anothers prowess, with each leading the music at various points while leaving room for the input of the other. i do want to shout out leighs ability to create chaos with her pedal steel without resorting to amp distortion, its amazing. ronnie dion